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Beckett's entire literary output, the narrative prose as well as the dramatic works, reduce basic existential problems to their most essential features. Thus his concerns are fundamental, but never simplistic - the evanescence of life; time and eternity; the individual's sense of loneliness and alienation as a result of the impossibility of establishing genuine communication and contact with others; the mystery of self. Beckett's major early works constitute a trilogy of interior monologues: Molloy, Malone Dies, and The Unnameable (1953; Eng. trans., 1958). in these explores the paradox of the self that can never know itself; in the very act of observing itself the self splits in two, an observing consciousness and an object that is being observed. The self perceives itself as a stream of words, a narration. Each time it tries to catch up with itself, it merely turns into another story, thus putting before the reader a succession of storytellers. Beckett's other prose works also view in various ways the entrapment and anguish of the individual in increasingly grotesque situations and the self's quest for identity from within. These include Murphy (1938); Watt (1953), his last novel in English; and, Stories and Texts for Nothing (1955), a collection of short stories. He has also written radio and television plays. In his later stage and television plays, Beckett's style is so concise that each work is ultimately reduced to a highly compressed and immensely powerful image. *Critique Text Copyright © 1993 Grolier Incorporated by S.E. Gontarsli |
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