EXCERPTS FROM MOLLOY

"I am in my mother's room. It's I who live there now. I don't know how I got there. Perhaps in an ambulance, certainly a vehicle of some kind. I was helped. I'd never have got there alone. There's this man who comes every week. Perhaps I got there thanks to him. He says not. He gives me money and takes away the pages. So many pages,so much money. Yes, I work now, a little like I used to, except that I don't know how to work any more. That doesn't matter apparently. What I'd like now is to speak of the things that are left, say my good-byes, finish dying. They don't want that. Yes, there is more than one, apparently. But it's always the same one that comes. You'll do that later, he says. Good. The truth is I haven't much will left. When he comes for the fresh pages he brings back the previous week's. They are marked with signs I don't understand ... Here's my beginning. It must mean something, or they wouldn't keep it. Here it is.

This time, then once more I think, then perhaps a last time, then I think it'll be over, with that world too."

"...and if ever again he sees them from afar it will be I think with other eyes, and not only that but the within, all that inner space one never sees, the brain and heart and other caverns where thought and feeling dance their sabbath ... "

"And what I saw was more like a crumbling, a frenzied collapsing of all that had always protected me from all I was always condemned to be. Or it was like a kind of clawing towards a light and countenance I could not name, that I had once known and long denied. But what words can describe this sensation at first all darkness and bulk, with a noise like the grinding of stones, then suddenly as soft as water flowing. And then I saw a little globe swaying up slowly from the depths, through the quiet water, smooth at first, and scarcely paler than its escorting ripples, then little by little a face, with holes for the eyes and mouth and other wounds, and nothing to show if it was a man's face or a woman's face, a young face or an old face, or if its calm too was not an effect of the water trembling be-tween it and the light. But I confess I attended but absently to these poor figures, in which I suppose my sense of disaster sought to contain itself. And that I did not labour at them more diligently was a further index of the great changes I had suffered and of my growing resignation to being dispossessed of self. And doubtless I should have gone from discovery to discovery, concerning myself, if I had persisted. But at the first faint light, I mean in these wild shadows gathering about me, dispensed by a vision or by an effort of thought, at the first light I fled to other cares. And all had been for nothing. And he who acted thus was a stranger to me too. For it was not my nature, I mean it was not my custom, to conduct my calculations simultaneously, but sepa-rately and turn about, pushing each one as far as it would go before turning in desperation to another. ... But one incident remains to be noted ..."